Choosing the Right Grade (Contrast) for a Silver Gelatin Print

What is a grade?

A grade is a measure of the contrast of a print. The higher it is, the more contrast the print will have.

Contrast curves for Ilford Multigrade RC Deluxe and Portfolio papers:

Courbes d’exposition papier Ilford multi grade V.

As you can see from the curves above, the higher the grade, the faster the density* increases.
*More density =more black.

In practical terms, with a grade 3 filter, the deepest black will be reached twice as fast as with a grade 0 filter [1].
The brightest areas of the print, however, are only slightly affected by a change in grade.

To simplify:

Increasing the grade means darkening a print without significantly affecting the brightest areas.

How to find the right grade?

There is a simple method to find the grade that best suits your print. I didn’t invent it, but found it here: https://www.youtube.com/watch?v=woXZb8gjG4o&t=1s

This method can be summarized as follows:

Find the blacks and whites you like best, then make them appear at the same time by choosing the right grade.

A practical example

Test strip at grade 2

First, make a test strip at grade 2 (standard).

Tirage test avec différentes tranches d'exposition.

Here, the blacks appear too early. We want to delay them so they coincide with the whites we like.
To delay the blacks, we choose a lower grade. In this case, I decided to go straight to the lowest grade (0).

Test strip with a more appropriate grade

Now make another test strip. If the desired blacks and whites fall at the same point, you can stop: you’ve found the right grade and exposure time.

Otherwise, repeat the previous step.

Don’t stop there

And there you go-you’ve found the overall contrast.
That doesn’t mean there’s nothing left to do. In most cases, you’ll want to use dodging and burning to achieve the best result.

Here, dodging/burning would help bring out the snowdrops in the grass.

[1] Approximation, just to give an idea.

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